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donavon west design

Welcome to the Vista edition of

Donavon West Design

About Me

info

Donavon West
5' 9" tall, 169 pounds, blonde hair, blue eyes,
40 something

occupation

Computer Consultant

lived

Fort Dodge Iowa, Kansas City, Utah, Texas, Chicago, and currently in Washington DC/Northern Virginia

hobbies

Design, sports cars, computers, movies.

cars/current

2001 VehiCROSS/black
1988 Lotus Esprit turbo/red
1978 Datsun 280Z/black

cars/previous

1948 Plymouth Convertible, 1956 Chevy Bel Air hardtop, 1976 Mustang Cobra, 1978 Datsun 280Z/silver, 1982 Camaro, 1991 Cadillac STS, 1992 Typhoon, 1992 Lexus GS300, 1994 BMW 325is, 2000 Cadillac Escalade, 1999 Jaguar XK8/silver and others (that are not worth mentioning)

f.y.i.

Visited every US state except Alaska, flew at "Mach 2" on the Concorde, experienced an "emergency blow" aboard an LA class nuclear submarine (no, this is not a euphemism), been to the top of the Eiffel Tower, and to the bottom of the Grand Canyon, designed the Fort Dodge city flag.

 



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Here are a few of my favorite bands. Click a song on the player above to listen to the music. If you like what you hear, I encourage you to support the artists by purchasing their CD. While a song is playing, click on the image to order the CD online. Click the icon next to the artist's name to purchase their music on iTunes.


Lloyd Dobler Effect Lloyd Dobler Effect, a local Washington DC band which formed in 2000, takes its name from the 1989 teen film "Say Anything" staring John Cusack as Lloyd Dobler. Thus far, the quintet has performed mostly in Virginia, Maryland and Delaware, where it enjoys a strong following among college students. They have one CD "Live 2004".


Maktub Maktub, whose name means "it is written" in Arabic, formed in 1996 as a pet project of four Seattle club musicians. Reggie Watts (vocals/synthesizer), Davis Martin (drums), Alex Veley (keyboards), and Kevin Goldman (bass), came together from various parts of Seattle's burgeoning soul community to create a groove-oriented, brooding R&B sound. Led by Watts' polished baritone vocals, Maktub released a competent debut album, Subtle Ways, in 1999.


Jimmy Eat World In 2001 Jimmy Eat World was a widely adored but criminally underappreciated band capable of drawing capacity crowds all over the world, but unable to find a record deal to their liking. Having just been unceremoniously spit out of the major label machinery, the band opted to record a new album entirely on its own dime and let labels come a-calling. The gambit more than paid off, with the resultant Bleed America (later re-titled Jimmy Eat World), yielding the hits "The Middle" and "Sweetness," and ultimately selling over 1.4 million copies in the U.S. But then came the problem once all your rock dreams come true, what do you do for an encore? The band's new album, Futures, is the answer to that question. It's a sprawling, gorgeous, heavy-yet-quiet epic with songs ranging from ambitious hard rock to epic ballads. With the hard driving first single "Pain" kicking off the campaign to the beautifully constructed follow up single "Work," Futures is perhaps the best sounding record in Jimmy Eat World's career.


Big Head Todd and the Monsters Long before the digital era and the Internet age, BHTM were practicing the DIY ethic, and now, almost 20 years since forming as a trio, they're still walking their own path. The band launched its own independent label, Big Records, and released their first two albums, Another Mayberry (1987) and Midnight Radio (1990) to exploding local, regional and national acclaim, selling a then-unheard of 58,000 copies on their own. When Giant Records founder Irving Azoff saw them at an Aspen performance he signed them on the spot. The first Giant album Sister Sweetly was a platinum-selling smash featuring rousing rock radio hits such as "Broken Hearted Savior" and "Circle," the fan favorite "Bittersweet" and R&B-flavored "It's Alright."